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June 20 写不出更多最近写了很多东西，
微微欣慰，工作的内容毕竟是自己喜欢的，
虽然不能保证吐纳进出的文字，字字是源自真心。
因此，找到了说得通的理由——写不出更多，解释space的空白，长期的空白。
讲些空话，本就无益，类似虚无，类似荒诞，类似随缘，这些念想，它们确实存在，而对现世的生活，现世的人，又何必非要强迫众生去追问。
于是，便有了这长期的空白
笔触总是缓慢于思绪的，电光火石，一言以闭之，省却太多背后的渊源，
而对于阅读，渊源往往甚是重要
比如，在半月之前，想说，与常人最难便是保持激情，摇摆不定的心境，太容易随波逐流
不在于礼崩乐坏，不在于人心不古，而是时势如此，与人无咎
零散的两句话，怎么也续不了前言，叙不了后语
于是，更加放任这空白的局面
当下接触的东西，多半都是现世的，实实在在的事物
评论实在的事物的好处，便是不会落在转述或者空谈的窠臼里面
回归本源总是令人心存宽慰的经历，文学的本来，美学的本来，生活的本来
孩子的时候，三五个人就能玩上一整天
这社会，本来也就是大孩子的游戏而已，万万人已经玩了这万万个年头
只是，让人无法遣怀的是，我们要在这本来中给自己安排一个什么样的位置
或者，找到了位置，却不明白，这千头万绪的本来，只是一场从小玩到大的游戏。 March 24 微微安定一言难尽地就在北京的一隅，开始一种莫名其妙的生活
奇人异事屡见不鲜，总体来说还是更加喜欢上海的气氛，更加喜欢桑黑宁
北京天津，或者整个北方，泛滥着的不合作态度，让我反胃，而我必须留在这里
唉，看来，任何东西都是不在身边的时候才觉得可贵
也许是因为家具展的时候还要奔波在米兰的街头巷尾，东拉西扯地谈着所谓的business
此时不在眼前的米兰，也不觉得怀念，虽然想到在米兰的生活，想到那些细节，总忍不住要“哎。。。”一下，
亦或者，是因为此时的我的在北京的以及在天津的生活里面，有了更深邃的更细腻的情感的牵挂与归宿（恶沉重的词汇）吧
满目疮痍plus家徒四壁，
其实，我还是怀念via lamarmora的17号，温柔的小房间
同样是一张床，一张桌，一盏台灯
quality和quantity真是两个概念
可见，设计的力量，在中国势必要大行其道的，慢慢酝酿吧
ZT interview with andrée putmanwhat is the best moment of the day? the morning when I wake up. I have a vision of what the day will be like. what kind of music do you listen to at the moment? all kinds, because I was a musician until I was 20. my mother was an excellent pianist and I've studied piano at the paris conservatoire, I've been a student of francis poulenc. yes, I like philip glass, billie holiday... I wanted to be billie holiday when I was 12. I wanted her color too. color and soul. (laughs) do you listen to the radio? not much. what books do you have on your bedside table? proust, a lot, back and forth. I read constantly, also young writers. do you read design magazines? I don't read magazines. where do you get news from? newspapers? yes. do you notice how women are dressing? do you have any preferences? I have a very strong feeling about the way people dress. I think they tell a lot about themselves. what kind of clothes do you avoid wearing? there are many things I adore that I would never wear. and there are ugly things... I never wear cocktail dresses. do you have any pets? no. never had. when you were a child, did you want to become a designer? I wanted to be a writer. still today the dream of my life would be to be a writer. I like to experience exaltation and love and I'm extremely interested in human beings, but nobody has ever read a line of mine. its a secret. (smiles) where do you work on your designs and projects? I work mostly in my office. I travel a lot, but in the planes I never read things related to my work. who would you like to design something for? a children's hospital. do you discuss your work with architects and designers? I'm not someone with a professional attitude. I never discuss my work with people. if somebody likes my work that makes me happy. that's all. I don't see many designers either. (I cannot breath) if you're only in your work, without other views of people of other fields of art. I can spend a weekend speeking about coreography. describe your style, like a good friend of yours would describe it. I have always cultivated the rebel spirit, from my early childhood. I wanted to empty rooms. I turned down all the dictates of good taste and elitism. I avoid decoration for decoration’s sake. what project has given you the most satisfaction? those with a perfect balance between discipline and revolt. what is in your opinion the big design-mistake today ? minimalism in interior design has become a caricature. everywhere you find shops or hotels with an ambience that makes you feel like you are in a refrigerator. can you describe an evolution in your work from your first projects to the present day? I've always worked with the idea of making beautiful things accessible to everyone. I disliked the image of luxury linked to money and arrogance. I started promoting new products in the original manner of the 1968 cultural revolution. things were ready for changes. now I enjoy working primarily on space and light, and with special care taken for the sobriety, naturalness and elegance of details. timeless, simple, familiar and non-trendy spaces. is there any designer and/or architect from the past , you appreciate a lot? frank lloyd wright, he is a great genius. and those still working? oh, very few. I love the work of jean nouvel, also, I think ingo maurer is a real poet, because he is active in many different disciplines. I like people who are able to write and paint... any advice for the young ? open their eyes to the many, many disciplines in art. to be really aware of what is invented now, in many many fields. not to ignore people. on the news they said that italians are afraid of unemployment, criminality and pollution. what are you afraid of regarding the future? absurdity, pollution, poisonous food. February 27 物件看着工作台上，我的那个sisley的包，阳光很温暖，越看越百搭，虽然它是男装版，而且有点脏
看着屏幕上，那些精致的东西，没想到4月份又要去米兰看望它们了
物件待在身边久了，会变得贴心
昨天跟哥哥说，换掉那个古董级手机，nokia的现在能看到的最古老的版本了
现在想想，算了，已经成精了，就继续用着
把简单的物件，炼制成妖精，就是艺术品了吧 |
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